Volume 2, No. 1 - Spring 2004

Articles for Spring 2004

The Forgotten Chapters of The Lord of the Rings: Tolkien's Challenge to the Conventional Quest

By Thomas Bowler

 

Dante's Love: Earthly or Extraordinary?

By David Brensinger

 

Snapshots From the Ether: E-mail Narratives in Contemporary Literature

By Jeremy Cooke

 

Food as a Marker of Cultural Duality in Jhumpa Lahiri's Interpreter of Maladies

By Elizabeth Jin

 

Dealing With A S-T-A-U-N-C-H Character: Locating Edie Beale's Cultural Significance

By Christina Jordan

 

"Otherness" in Charlotte Mew's Poetry

By Natalie Kressen

 

Constructed Love: Mis-fulfilled Expectations in Troilus and Criseyde

By Michael Opest

 

"There are More Things in Heaven and Earth": Magic, Nature, and Art in the Short Stories of Mary Butts

By Michael Ritchey

 

Saving Privatization: Speilberg and the Neoliberal War Film

By Josh Smicker

The Forgotten Chapters of The Lord of the Rings: Tolkien's Challenge to the Conventional Quest

By Thomas Bowler

[ Contents | Abstract | I | II | III | IV | V | Notes | Works Cited ]

Conclusion

Critics often focus on peripheral aspects of The Lord of the Rings—the language therein and the development of the text, for example—perhaps because they despair of developing compelling arguments from a text that can seem so straightforward. I do not dispute the existence of this textual difficulty, for Tolkien's literature is notoriously difficult to analyze, but I contend that it does not arise solely from the text itself, but from critics' expectations of the text as well. Regarding The Lord of the Rings as a formulaic work of fantasy does not detract from the reader's enjoyment of the text, but it does limit the critical possibilities that the text holds. The chapters that take place after the destruction of the Ring deviate most sharply from familiar fantasy patterns, and in doing so, they reveal new significance to the text, which has eluded scholarly inquiry. I hopefully demonstrate that, although the narrative of the quest itself has great intrinsic literary and entertainment value, it also has a higher function than merely conveying adventure: it is the vehicle that enables Tolkien, throughout the final chapters of The Lord of the Rings, to explore the conflict's impact on the individual identity that has been cast into its midst. These chapters reveal the text's greater literary significance by demonstrating that a good work of fantasy has greater potential that simply describing the action within a struggle between good and evil.

[ Notes >> ]

[ Contents | Abstract | I | II | III | IV | V | Notes | Works Cited ]

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