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Articles for Spring
2004
The
Forgotten Chapters of The Lord of the Rings: Tolkien's Challenge
to the Conventional Quest
By Thomas Bowler
Dante's
Love: Earthly or Extraordinary?
By David Brensinger
Snapshots
From the Ether: E-mail Narratives in Contemporary Literature
By Jeremy Cooke
Food
as a Marker of Cultural Duality in Jhumpa Lahiri's Interpreter of Maladies
By Elizabeth Jin
Dealing
With A S-T-A-U-N-C-H Character: Locating Edie Beale's Cultural Significance
By Christina Jordan
"Otherness"
in Charlotte Mew's Poetry
By Natalie Kressen
Constructed
Love: Mis-fulfilled Expectations in Troilus and Criseyde
By Michael Opest
"There
are More Things in Heaven and Earth": Magic, Nature, and Art in the
Short Stories of Mary Butts
By Michael Ritchey
Saving Privatization:
Speilberg and the Neoliberal War Film
By Josh Smicker
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Snapshots From the Ether: E-mail Narratives
in Contemporary Literature
By Jeremy Cooke
[ Contents
| Abstract
| Intro | I
| II | III
| IV | V
| VI ]
[ Notes
| Works Cited
| Appendix
]
ChaseR: A Novel
in E-mails
Michael J. Rosen's 2002 book, ChaseR:
a Novel in E-mails, targets young adult readers, most of whom are considerably
more aware of the electronic world that e-mail and the web create. Chase
Riley, a 14-year-old boy who has just moved with his parents from Columbus,
Ohio, to rural Pickway County, writes all the e-mails that constitute the
152-page novel. Chase corresponds with a host of other people—peers and
adults—and also writes an occasional "e-newsletter," which goes
out to many recipients at once. But readers see only what he writes to others,
leaving us to imagine the responses Chase receives based on what he types
in subsequent messages. The novel is a coming-of-age story, which looks
at the culture shock Chase experiences moving from the city to the country,
and shows how he gradually adapts to the different mores of his community.
Kirkus Reviews, which publishes brief unsigned evaluations of new books
for children and young adults, lauds Rosen's novel for integrating the e-mail
concept "surprisingly well." The review dubs the narrator a "self-absorbed,
introverted computer addict" who becomes more conscious of the way
his neighbors live and the poverty some of them face (Kirkus). This review
touches upon the main role that the e-mail format plays in Chase's personal
narrative. Rosen highlights his main character's conflicted feelings about
country life by contrasting the computer technology of e-mail and keyboarding
with the "old" technology employed by his neighbors and classmates
(i.e., the skills involved with hunting, fishing and other outdoor activities).
In the same way that Chat Connect Crash depicted characters bridging
the gap between e-mail as a business tool and e-mail as a means of social
interaction, ChaseR looks at the distance between teenagers growing
up amid different socioeconomic and cultural backgrounds. Whereas one boy
may see a rite of passage in getting his own computer, another sees the
same importance in learning how to use a gun. The narrative stays coy about
exalting one lifestyle over the other, but instead shows Chase adapting
to an environment in which he can appreciate the value in both ways of living.
In the book, Chase and the friends with whom he exchanges e-mails in Columbus
are born around 1987, based on the assumption that the events occur in a
fictional fall and winter of 2001. At the point where we pick up the story,
Chase is already conversant in the lingo of internet service and connection
charges and modems and satellite dishes. He has grown up with some of the
best communications technology available, and would not think of relinquishing
his digital connections at his family's new rural home. The second e-mail
of the book is his first e-newsletter, directed to twenty-four of his friends,
written mostly tongue-in-cheek and over-the-top, and filled with a lot of
teenage humor (Rosen 2-9). Before the hunting question worries his mind,
the cicadas do, as seen in a joke advertisement to his friends:
Dear Sir or Madam: Have you
ever tasted a cicada? One of nature's most SUCKulent treats—and
chock-a-block with protein! Sign up NOW and receive this special offer
from Chase's Cicada of the Month Club. Once every 204 months (that's
every seventeen years), we'll ship to you, direct from Pickway County,
half a million prime and tender seventeen-year cicadas. (Rosen 2)
A precocious reader himself, Chase can mimic the language of ads and special
offers, which have begun to proliferate especially on the internet. His
friends' e-mail addresses imitate the names of popular e-mail services such
as MSN's Hotmail and indicate that his friends are using the internet as
young consumers with access to the web at home. In his e-newsletters, Chase
types many hyperbolic complaints about the return of the cicadas, composes
top-ten lists of reasons to move to the country (or back to the city), and
even lampoons the local community newspaper, the Beaver Creek Beacon,
which he later sends through various permutations such as the Beaver
Cooked Bacon and the Eager Beaver Bacon.
As an e-mail author, Chase rarely types the kind of abbreviations that pepper
Chat Connect Crash, but he employs a healthy amount of adolescent
word play, artistic ASCII creations, and unique smileys. ASCII stands for
American Standard Code for Information Interchange. The code includes all
the usual alphanumeric characters used in word processing, but also encompasses
many other pictograms, which are often useful in "painting" pictures
using only text strokes online. Rosen fills pages 4 and 5 of the novel with
Chase's pictogram for the cicadas he sees everywhere. An example of one:
\O/ / / / / / >
/O\ \ \ \ \ \ >
At least one reviewer—Laura Liang, writing
in the Star Tribune of Minneapolis—questions the author's use of
these computer doodles: "At times, Rosen pushes the e-mail conceit
unnecessarily, with the inclusion of Chase's typographic smiley faces for
each of his friends, and too-obvious references to the fact that Chase is
on the computer." But these experiments with text are a step above
the shortcuts used in McCarthy's work. A lively example is the combination
of text characters he uses to depict his bespectacled friend and close correspondent,
Jeremy. The traditional emoticon has morphed into an icon specifically designed
for an individual person: —ÕfÔ— (Rosen 10). Notice
the optical frames, arched eyebrows, and nose. Chase even tweaks the icon
slightly when he sees Jeremy with new glasses: —ÛfÙ—
(Rosen 129). Rosen makes no appeal to some established canon of computer
squiggles; instead, he uses these text illustrations as a way of forming
a character creative enough to come up with a variety of different images
to match his differing moods and moments from a finite palate of symbols.
The technique has precedents in the realm of modern typography, but its
presence in ChaseR still shows a narrator willing to experiment with
the form at a relatively young age.
As a reaction to culture shock and a feeling of isolation from his city
friends, Chase responds adversely to the ways of the country during the
beginning of the novel. The arrival of the cicadas irritates him; his dogs
return dirty and injured from playing in the wilds of the family's property;
and Chase usually prefers to stay inside and type on his computer in lieu
of experiencing nature. He types quickly—47 words per minute—and enjoys
participating in the newspaper club at school. His parents gradually recognize
that the amount of time Chase spends on the computer may be hindering his
adjustment to rural life. They send him to Miss Dummery, a counselor at
school, to talk about the habit, but they eventually find a compromise:
"only one hour per day on the computer," Chase reports (Rosen
139). This subplot contributes eventually to Chase's realization that worthwhile
free-time activities lay beyond cyberspace. The modest limit imposed on
his e-mailing does not prevent him from communicating with his city friends
entirely, but prepares him to respect his surroundings and his neighbors'
choices.
Meanwhile, Chase continues to struggle to make friends with his classmates,
and cannot seem to understand their interest in hunting. The activity repulses
him, and that feeling is aggravated when one of his dogs, Bonner, hobbles
home one day after being shot and injured by an unknown hunter. Chase exacts
his juvenile revenge by drinking a lot of iced tea, then urinating by the
neighbors' deer stands, a trick he learned for keeping the animals away.
Chase eventually gets in trouble for this prank, but in the meantime, he
decides to do some online research into arguments in support of deer hunting.
He presents what he discovers via e-mail to his college-freshman sister,
Mallory, with whom he has a passionate debate over a series of messages.
He writes: "Almost everything one organization says is true another
one says isn't. It's like pro-choicers and pro-lifers arguing about abortion.
[. . .] It got so confusing or maybe just plain contradictory I had to make
a list" (Rosen 97).
The tone of Chase's personal e-mails is appropriately more sensitive and
honest than the one he uses when writing his e-newsletters. As the hunting
conflict in the book becomes the focus of Chase's confusion about the country,
he sends fewer public e-mails and more personal ones to his best friend
and his sister. Chase tries to make amends for what he did by allowing the
neighbors to hunt on his family's land while they are away for Thanksgiving.
In a message to Jeremy, he writes:
When we walk in, I see how
Dad is looking around and I can tell he's uncomfortable seeing how
the Randolphs' house is so crowded and small. We're the closest thing
to being their neighbors [. . .] I'm sure that made Dad feel even
worse about why we were there. Like we were the rich people coming
to do the poor people a favor. (Rosen 134)
Chase later learns that the venison from the deer the Randolphs harvested
fills the family's freezer and helps to provide them with food through the
coming months. The Randolphs do not take up the Rileys' suggestion to hunt
on their land, but instead take up an offer from other friends to hunt elsewhere.
Jeff, the boy similar in age to Chase, explains:
We didn't need to [use your
land], didn't want to. I get how you feel about hunting. Sometimes
I feel a little of what you do, but it's not the way we do things.
Not in my family, anyway. So after you left, when I told Dad about
your dog being shot and being scared and all, he just said, 'Well,
the Rileys sound like good people,' and then he went to get the gear
together. That's all the talking we did about it. (Rosen 137)
Earlier in the novel, Chase tells Jeremy what he had learned from another
classmate about Jeff:
Jeff's not really into the
killing part as much as the part where he just keeps his dad company
and helps. He can probably calculate the trigonometric angle of the
fired bullet in relationship to gravity and the earth's curve. Whatever
that means. He's really smart. (Rosen 127)
Chase begins to see a fuller picture of the kind of people for whom hunting
is a way of life. He becomes acquainted with Jeff and understands that these
"old" skills are part of the Randolphs' cultural inheritance,
which does not preclude Jeff from learning the same math and science skills
Chase studies at school. The comparatively poor conditions Chase encounters
also show him that his access to electronic communications is a privilege
and not a given among all his peers.
By the end of the novel, his computer time becomes only one activity among
a variety of others that living in the country offers him. He revises his
"Top Ten Reasons to Live in the Country" with new additions, which
include friendly shopkeepers, free harvests of chestnuts, the ability to
mountain bike for hours, the quiet of living far from your neighbors, and
the opportunity for showering naked in the open air (Rosen 149). Chase does
not plan on giving up e-mail and computers as one of his favorite hobbies,
but he begins to glimpse a fuller life that takes advantage of the rural
options available to him beyond the computer.
[ Next
>> ]
[ Contents
| Abstract
| Intro | I
| II | III
| IV | V
| VI ]
[ Notes
| Works Cited
| Appendix
]
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