Phillip Zapkin
Mailroom: 430 Burrowes Building
Mailroom: 430 Burrowes Building
Fall 2024 Office Hours
Fall 2024 Office Hours: Mondays 2-3PM on Zoom Wednesdays 12-2PM in-person or by appointmentCurriculum Vitae
Education
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Professional Bio
Phillip Zapkin joined the Penn State faculty in 2017 as an Assistant Teaching Professor teaching introductory rhetoric and composition, and now teaches business writing and social sciences writing as well. He has previously taught composition in both his Master's program at the University of Vermont, and his Doctoral program at West Virginia University, where he also taught literature classes.
In the summer of 2024, Phillip got to lead an amazing group of students in the Literary London program, studying abroad in London for a month. Phillip's course focused on Crime and Justice in the City of London, and included readings like Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde, Sir Arthur Conan Doyle's "The Red-Headed League," and Chimamanda Ngozi Adichie's "Checking Out." We also did London activities like seeing Agatha Christie's The Mousetrap, visiting the Tower of London, and a Jack the Ripper walking tour.
As a scholar, Phillip works principally on contemporary Anglophone drama, especially adaptations of Greek drama and myth. He became interested in adaptations from Greek theatre after seeing Moira Buffini's Welcome to Thebes in London in 2010.
Phillip's first book, Hellenic Common: Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era, argues that because Greek tragedy is part of a global cultural commonwealth, when contemporary dramatists adapt these materials for current (often cosmopolitan) purposes this act of adaptation inherently challenges neoliberal capitalism, which is built on the presupposition of (intellectual property) ownership. The book is available from Routledge at https://www.routledge.com/Hellenic-Common-Greek-Drama-and-Cultural-Cosmopolitanism-in-the-Neoliberal/Zapkin/p/book/9780367536466.
Phillip's scholarly essays have appeared in PMLA, Modern Drama, Comparative Drama, The South Atlantic Review, and elsewhere.